The surprisingly conservative core of Boy Meets World
The '90s sitcom, often lauded as progressive and ahead of its time, was all about lauding middle-class whiteness.
The '90s sitcom, often lauded as progressive and ahead of its time, was all about lauding middle-class whiteness.
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Scholar Katherine Alejandra Cross on why it's so profitable to "sell panic to trans people."
"What if this is the best there is?"
This week: The Death of Robin Hood, The Furious, and two different takes on Anne Rice's Immortal Universe.