Why did this year's Tournament of Books care so much about men?
Or: Why were the only books that got praised for being "about men" the grim, airless ones?
Or: Why were the only books that got praised for being "about men" the grim, airless ones?
Or: Why Olivia Rodrigo was voted most likely pop star to write a musical in her 40s.
Is that why I liked it so much?
Whither Tanselle?
This week: the new Olivia Rodrigo, Ragtime at Lincoln Center, and an exceptional novel.