On editing
How to make sense of your writing (and also maybe your past)
Emily St. James is a writer and critic whose work has appeared in Vox, The A.V. Club, and the New York Times. She is the co-creator of the podcast Arden and a writer on the TV series Yellowjackets.
How to make sense of your writing (and also maybe your past)
In which season two (or season 1.5??) begins in style and Charlotte ditches the most boring part of the show, hopefully for good
Why has it become so damn hard to tell people what to watch?
In which season one draws to a close on an incredibly odd cliffhanger
Courtesy of Emily VanDerWerff and Myles McNutt
Thoughts on the cinematic catasterpiece of our time.
This question is just what it sounds like on the tin. Predict for me a show that is going to go all in on doing something meaningful about This Time in Our Lives and badly botch the execution — vaguely similar to the infamous “Isaac and Ishmael” episode of West Wing.
In which lazy summer days are here and Lotte and Gereon are just adorbs you guys you guys you guys
In which the show's tonal audacity becomes apparent and Emily really hopes a certain two people kiss
Mourning without mourning
In which Gereon Rath gets to Berlin, Lotte wears a great hat, and Emily finds a new favorite TV show
Name literally any TV character and tell me how quarantine is going for them. (You could also do characters from other media, but TV feels like a rich medium for quarantine-related storytelling.) I’ll start: Don Draper decides that he can end the quarantine and escape a small space where